Robert Eggers' follow-up to his celebrated debut is nothing less than spellbinding, a claustrophobic and masterfully crafted feature that shines as his definitive magnum opus
From Australia comes a new outing in the zom-rom-com genre created by Edgar Wright’s Shaun of the Dead back in 2004
Jacques Audiard's premier English feature scintillates as a tale of ruthlessness, camaraderie and black humour in the very heart of the Gold Rush, and injects yet more new life into the Western genre
I, Tonya is an excellent biopic, bristling with chaotic energy and a controversial viewpoint
Baby Driver is fast, frantic, exhilarating, funny and tense – what a shame the DVD release is so vanilla
Office Christmas Party is an enjoyable enough festive romp with some very funny moments, a great soundtrack and a standout performance from Kate McKinnon
It Comes at Night is a whip-smart film that has an awful lot to say about the human condition
The end of World War II is only the beginning for German Prisoners of War forced to clear up Denmark's land mine problem
Get Out is a timely, smart and wickedly satirical look at race relations in the US
Even as it veers towards the extremes of its climax, Elle remains oddly, deeply, remarkably human