Eddie Marsan

Spy thrillers always have convoluted, muddled plots that never quite add up. From Bond to Bourne and even the classic Le Carre and Tom Clancy stories, spy thrillers are exciting...

Spy thrillers always have convoluted, muddled plots that never quite add up. From Bond to Bourne and even the classic Le Carre and Tom Clancy stories, spy thrillers are exciting...

Peter Landesman has not made a lot of films before, and here it shows. What could have been an important and heartbreaking film feels clunky and oddly paced.

Swaggering gallusly in the footsteps of disappointing adaptations of Ecstasy and The Acid House and a full 17 years after Danny Boyle's chirpy, cheeky, sanitised Carry On Up The Shooting...

This large budget family adventure flopped big-time in the US after a troubled making. It's a traditional CGI affair, ambitious and enjoyable; its failure to lure in audiences somewhat unjust.

The third and final part of Wright and Pegg’s Blood & Ice-cream trilogy, The World’s End has a tough act following the rom/zom/com Shaun of the Dead and buddy-comedy/action/cop/folk-horror mash-up...

This large budget family adventure flopped big-time in the US after a troubled making. It's a traditional CGI affair, ambitious and enjoyable; its failure to lure in audiences somewhat unjust.

Snow White and the Huntsman is the newest installment from Hollywood's recent love for adapting fairytales with a new twist.

Plaudits to writer-director Considine – the gifted actor has crafted a searing drama that cuts through to the bone. It leaves you beaten but beguiled and the acting is sublime.

It’s hard to believe that it’s been two years since Ritchie threw the deerstalker out with the kitchen sink and rebooted the great detective’s cinematic canon.