Imogen Poots

The first full-length feature from Anders Walter ably adapts Joe Kelly and Ken Niimura's graphic novel into a simple yet profoundly effective film on adolescence, acceptance and facing one's demons, and no amount of misleading advertising can keep this one down

Green Room follows The Ain’t Rights, a punk rock band so desperate for a gig they agree to play to a crowd of white supremacists

"Let’s watch a gruesome horror film in the slightly unnerving environment of an underground nightclub" is something you’ll never hear me suggest.

Swaggering gallusly in the footsteps of disappointing adaptations of Ecstasy and The Acid House and a full 17 years after Danny Boyle's chirpy, cheeky, sanitised Carry On Up The Shooting...

A breezy romp through the life of Paul Raymond – the entrepreneur who became very rich through his strip joints, adult magazines and numerous properties in London's Soho – Winterbottom's...

This is very much an actors piece for middle-aged, middle brow audiences. It's not one for the younger crowd but don't be put off by that. All four leads are superb.

Roberts, so good in Submarine, here plays a similar role – that of the shy, put upon young man harbouring a crush on a girl.

Jane Eyre (Wasikowska) travels to Thornfield Hall to take up her role as governess to the ward of Mr Rochester (Fassbender).

Prepare yourselves because this autumn is Bronte season. Hollywood has obviously decided to give Jane Austen a bit of a rest, so now it's the turn of her Northern bretheren...

I'll probably be howled down for saying this, but the original Fright Night is not the best vampire film ever made.