Stephen Campbell Moore

Despite the compelling question it seeks to pose, Red Joan lacks the charm to draw the spectator in and have them partake in the main character's dilemma. Character drama and historical commentary that could have made the film richer than its premise ended up bogging it down in what feels like a collage of familiar, underdeveloped plots that never became more than a sum of parts.

The Ones Below is a nice little four-handed psychological thriller that has more than a touch of the Hitchcocks about it

How well can we ever know the people who live around us? That's the theme of this nice little four-handed psychological thriller that has more than a touch of the Hitchcocks...

Spare a thought for Mr Atkinson's co-stars here. West did five seasons of that TV masterpiece The Wire, Anderson was in cult fave The X-Files while Schiff had seven classy...

It's been 10 years since Cage and director Sena collaborated on the unmemorable and unexciting Gone in 60 Seconds – but alas, their teamwork hasn't sharpened over the years.

The heist movie is a classic mainstay of British cinema, with its love of the underdog and the ability to make even the most violent cockney criminals seem wry and endearing.

The heist movie is a classic mainstay of British cinema, with its love of the underdog and the ability to make even the most violent cockney criminals seem wry and endearing.