UK 12A

There's nothing offensive or particularly awful about Men in Black: International, but there's nothing to treasure either

While thin on narrative and the human element, Godzilla: King of the Monsters is an adrenaline-fuelled and monstrous tour de force that ultimately proves the franchise is in good hands

The capstone of an 11-year undertaking excels in almost every regard, as the Infinity Saga reaches a climactic conclusion that is certain to satisfy fans old and new

Despite the compelling question it seeks to pose, Red Joan lacks the charm to draw the spectator in and have them partake in the main character's dilemma. Character drama and historical commentary that could have made the film richer than its premise ended up bogging it down in what feels like a collage of familiar, underdeveloped plots that never became more than a sum of parts.

The Girl in the Spider's Web does away with the gritty yet somewhat low-key tone of Larsson's material in favor of spectacular but familiar action and spy film tropes

In one of the most fascinating cinematic worlds, The Crimes of Grindelwald miserably fails at what the Harry Potter series was good at: character building over world building.

Woody Harrelson gets Lost in London in his one-shot directorial debut

Since the dawn of cinema, ordinary people have always dreamt about becoming famous: A Star is Born is the perfect manifesto for such dream in our age

Fighting with my Family tells the story of WWE's Paige and her family, who are all wrestlers!

Branagh's study of the last years of the Bard of Avon leans towards more fiction than fact, as this so-called historical piece comes up self-serving