And the winner is ...We don't know. But we can tell you who the nominations are.
If Jackass 2.5 serves as proof of anything (and that’s a stretch) it’s that some folks will go to any length to try and squeeze cash out of the movie...
Eagle Vs Shark belongs to the celebration-of-being-a-geek subgenre that has wormed its way into our hearts in recent times (Clerks, Muriel’s Wedding, High Fidelity, American Pie and the upcoming Superbad),...
Superbad might sound like a cross between American Pie and Porky’s, with a smattering of every other teen comedy ever made, and that’s because, basically, that’s exactly what it is.
And so, after THAT trailer, and that whispery, understated stealth marketing campaign, Cloverfield, producer JJ (Lost) Abrams' monster movie, finally hits. And it's a little cracker.
Written and directed by Jake Paltrow (Gwyneth’s brother), The Good Night treads on familiar ground as it contemplates the blurred lines between dreams and reality.
Music biopics are often slave to their own formula: flashblacks, montages, voiceovers, a past tragedy to overcome, great success, experimentation with drugs/drink/sex (delete as applicable).
There is always a danger in over-hyping a film. If every critical voice — from the nationals to, well, newish kids on the block like Screenjabber — declares a film...
'I saw white powder on red fingernails passing in front of my face. I don't ever recall breathing in...'
If any modern genre has had its day then surely the modern "heist-gone-wrong" movie is it.