12A

Lenny Abrahamson lends his adaptational talents to a 2009 ghost story novel, the result being a film that stands out with aplomb in a genre where it is increasingly difficult to be unique

Mark Cousins' biopic on Orson Welles, conveyed through the latter's art, is a touch dry and self-indulgent - but a solid enough feature at its core.

Wading through a sea of tired tropes and predictable plotting, offset only by the general quality of its cast, The Darkest Minds adds itself to the ever-increasing pile of incorrigibly generic young adult flotsam

Steven S DeKnight's sequel to Guillermo del Toro's robo-blockbuster may be rusty in some ways compared to its predecessor – but it's still no less of an enjoyable, if basic, action romp

Having weathered a turbulent production cycle, the newest Star Wars anthology film hits our screens - but for all of its merits, one is left wondering if this trip back to a galaxy far, far away was truly necessary

The first full-length feature from Anders Walter ably adapts Joe Kelly and Ken Niimura's graphic novel into a simple yet profoundly effective film on adolescence, acceptance and facing one's demons, and no amount of misleading advertising can keep this one down

Steven S DeKnight's sequel to Guillermo del Toro's robo-blockbuster may be rusty in some ways compared to its predecessor – but it's still no less of an enjoyable, if basic, action romp

A troubled production period gives rise to a competently-made yet ultimately rather forgettable action romp, with Luc Besson's name behind it – but none of his colour

Even with strong leads, this north London based rom-com is more sickly than sweet

Rachel Weisz puts us all under a spell in Roger Michell's beguiling adaption of Daphne Du Maurier's haunting novel