Anson Mount

You don’t sit down to watch a Statham film expecting a taut, dialogue-heavy, cerebral drama. You certainly have a reasonable idea of what to expect: violence, one liners, a probable...

You don’t go into a Statham film expecting a taut, dialogue-heavy, cerebral drama. You certainly have a reasonable idea of what to expect: violence, one liners, a probable bi-lingual bloodfest...

Writer-director Tadjedin’s clever and knowing film is certain to be labelled as a “relationship drama” (I’ve just done it) because life’s a rush and we often require descriptive shorthand.

This is a film that is true to its source genre in its most fundamental aspect — the contrasts between the sugary sweet outward world and its dark underbelly.

This nicely shot but basic teen slasher is pretty hard to sell. Levine’s All The Boys Love Mandy Lane follows in the footsteps of Scream, and I Know What You...