This 2016 reboot is not so much a Magnificent Seven as a Somewhat OK Seven.
Freeheld packs plenty of emotional punch, and makes its point about equality strongly and well.
This is a film that is true to its source genre in its most fundamental aspect — the contrasts between the sugary sweet outward world and its dark underbelly.
This nicely shot but basic teen slasher is pretty hard to sell. Levine’s All The Boys Love Mandy Lane follows in the footsteps of Scream, and I Know What You...