The first "genre" movie per se to come out of Switzerland, Steiner’s Sennentuntschi is a surprisingly good and technically impressive package.
Greg Araki's latest is bonkers to be sure, but a bust too – an overstuffed exercise in ineffable naffness. Though his cast are easy on the eye.
I want to be the first to get the perfect description of Rubber out of the way ... it's really, surreally good. OK, stop your groaning.
Feisty French courter of controversy Catherine Breillat returns with an uncharacteristically lavish piece, a period drama no less, based on the nineteenth-century novel by d'Aurevilly.