Crime

This utterly misguided and miserable crime caper and coping session is only deserving of incarceration, with a meandering plot, shallow characters and wholly wasted potential defining its every passing minute

The Girl in the Spider's Web does away with the gritty yet somewhat low-key tone of Larsson's material in favor of spectacular but familiar action and spy film tropes

The Girl in the Spider's Web does away with the gritty yet somewhat low-key tone of Larsson's material in favor of spectacular but familiar action and spy film tropes, resembling far more a modern instalment of the Bond series than any adaptation of the Millennium trilogy to date.

Bart Layton's foray into one of America's most bizarre heists yields a film that is tight-knit, tense, and packing a potent emotional punch, laced with tinges of black humor and bound to resonate with at least some of today's youth

With a compelling premise, a delightfully colourful and caring cast and a gripping if somewhat plain plot with enough beats and small elements to keep you guessing, Hotel Artemis gives much-needed life to the ‘Neo noir’ genre and proves once more that small indie films can punch above their weight

As Series 3 of Gomorrah opens, we’re on familiar and unfamiliar ground

With its wonderful ensemble cast, Logan Lucky is an almost flawless caper movie

The Commuter is by no means awful, but it’s indistinguishable from the rest and has nothing too memorable to shout about

Three Billboards Outside Ebbing, Missouri makes the whole experience of going to the cinema once again surprisingly refreshing and sets itself to be a big player in the upcoming Academy Awards night.

Ridley Scott's examination of an historic kidnapping has emerged from a troubled production as a strong feature in its own right - both as a thriller, and as a tale on the power of greed